Sadanand Menon provocatively opened a puzzle box for us, while speaking of the state of arts institutions in the country. Some of us are still reflecting on the tensions he articulated. Sadanand began with a reflexive question, ‘what makes me a part of the moribund arts bodies of the State?’. A brilliantly layered lecture followed, focused on the dangers involved in the political construction of various cultural fields – forms as well as institutions – promoting a homogenized the idea of national culture. The measures to ‘protect’ the country’s unity in diversity, paradoxically result in the erasure of the voice of the conflicts integral to creative expressions, and in turn send all diversities into exile from the ‘united nation’ of the arts. This ultimately results in the establishment of a machinery that continues the customary without confronting the radical; it regulates people’s spontaneity, weakens institutions from within, and abdicates all forward-looking perspectives.